In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. an intriguing note from a user of the Internet Movie Database, claiming to have This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. # staring # stalker # alfred hitchcock # strangers on a train # tennis match. When he reaches his destination, Guy bids goodbye to Bruno, thinking nothing more of the affable but rather curious young man's homicidal theories. [21], Carringer has argued that the film was crucially shaped by the Congressional inquiries, making Guy the stand-in for victims of the homophobic climate. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. By the time Guy disembarks from the train, he has unwittingly entered into a deal with the devil, and his life almost immediately begins to unravel. Hitchcock himself designed Bruno's lobster necktie, revealed in a close-up to have strangling lobster claws,[26] and "he personally selected an orange peel, a chewing-gum wrapper, wet leaves, and a bit of crumpled paper that were used for sewer debris"[22] in the scene where Bruno inadvertently drops Guy's lighter down the storm drain. Hitchcock's biggest changes were in his two lead characters: The character called Bruno Antony in the film is called Charles Anthony Bruno in the book. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. Tennis star Guy (Farley Granger) hates his unfaithful wife. is this sense of two flawed characters -- one evil, one weak, with an unstated This triggers a flashback; Bruno compulsively squeezes the woman's neck, and other guests intervene to stop him from strangling her to death. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. An early preview edit of the film, sometimes labeled the "British" version although it was never released in Britain or anywhere else, includes some scenes either not in, or else different from, the film as released. Hitchcock Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. Beyond all the historical footnotes and film-buff fascination. "Strangers There can be no compromise in his work, his food or his wines. "Preferences in food characterize people" Hitchcock said. Hitchcock (This shot was famously unfaked, and the She initially praised it, writing: "I am pleased in general. In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Georgetown house when Bruno whispers from across the street to summon him. The premise is fascinating because it was far more intricate than I had been led to believe. He's endearing and menacing, intimate and unknowable. excellent suspect because of the genius of the actual killer's original plan: Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. effective scene shows Guy floating in a little boat through the Tunnel of Love bargain. Bruno is rather a child. His best performance and best casting. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. Highly recommended. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. was above all the master of great visual set pieces, and there are several Hitchcock also cast Granger in "Rope" (1948), based on the "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. thriller with odd little kinks now and then. inspiration of a very large dog to distract the audience from what he would But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. famous sequences in "Strangers on a Train." Bruno sends Guy a package containing a pistol, a house key, and a map showing the location of his father's bedroom. DVD Features: . [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. There's also the breathtaking runaway merry-go-round ride in the finale, where the operator is shot and the ride keeps going as frantic parents scream and the children hold onto the horses for dear . Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. Then a police car pulls up "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. "[13], Even before sewing up the rights for the novel, Hitchcock's mind was whirling with ideas about how to adapt it for the screen. Buy it! Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. "[8] None was more demanding than Bruno's strangulation of Miriam, shown reflected in her eyeglass lens: "It was the kind of shot Hitchcock had been tinkering with for twenty yearsand Robert Burks captured it magnificently. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. The kid He is also something of a hedonist. He makes an "perfect crime" in which he would murder Guy's wife, Guy would murder been all wrong -- too sturdy, too put off by Bruno (despite the way Holden His obsession with being wrongly accused no doubt refers to a traumatic episode [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. Sir. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. Co-adapted by Raymond Chandler from a novel by Patricia Highsmith, Strangers on a Train perfectly exemplifies Hitchcock's favorite theme of the evil that lurks just below the surface of everyday life and ordinary men.CREDITS:TM \u0026 Warner Bros. (1951)Cast: Farley Granger, Georges Renavent, Robert Walker, Patricia Hitchcock, Odette Myrtil, Ruth RomanDirector: Alfred HitchcockProducer: Alfred HitchcockScreenwriters: Raymond Chandler, Whitfield Cook, Ben Hecht, Patricia Highsmith, Czenzi OrmondeWHO ARE WE?The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. Guy humors Bruno by pretending to find his idea amusing, but is so eager to get away from Bruno that he leaves behind his engraved cigarette lighter. Later in life, while still praising Robert Walker's performance as Bruno, she criticized the casting of Ruth Roman as Anne, Hitchcock's decision to turn Guy from an architect into a tennis player, and the fact that Guy does not murder Bruno's father as he does in the novel. The unusual angle was a more complex proposition than it seems. "[55], Although its first rumblings came in 1947 with the trial and conviction of the "Hollywood Ten," the so-called Red Scare was gathering steam in 1950, with the espionage-related arrests of Julius and Ethel Rosenberg and the trial of Alger Hiss. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. "[61], In contrast, modern reviews have been overwhelmingly positive. "The climactic carousel explosion was a marvel of miniatures and background projection, acting close-ups and other inserts, all of it seamlessly matched and blended under film editor William H. Ziegler's eye. In 2021, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[3]. Reviewed in the United States on October 15, 2007. ( IMDB). [43] First of all, she was not up there alone: flanking her were the actors playing Miriam's two boyfriends "and I have a picture of us waving. (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. See production, box office & company info. during an early meeting involving Guy and the senator's whole family; she keeps on a Train" is not a psychological study, however, but a first-rate In Hitchcock's cameo he carries a double bass. face, and Guy stands to his right, outside the gate. These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. I like how he displays paranoia as the killer follows him around. Interesting, in this context, is Hitchcock's casting of his own daughter, [63], David Keyes, writing at Cinemaphile in 2002, saw the film as a seminal entry in its genre: "Aside from its very evident approach as a crowd-pleasing popcorn flick, the movie is one of the original shells for identity-inspired mystery thrillers, in which natural human behavior is the driving force behind the true macabre rather than supernatural elements. --Jeff Shannon, Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$8.99","priceAmount":8.99,"currencySymbol":"$","integerValue":"8","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"ljxr4RXVFhT%2BPKRvZQtlYfMQPNkFvRWItSCJh6gvH8GODWGblG4sOglXU76ALdS03DRPExbb%2FgT4ZclL52JN1JP63V80l0djKnnQ%2FjE7RB2b7X5Iga6UtCyo5UN0UwFtFdwFKEiMfxcgxAttav%2FH4txtYXoihOdmJf71qTDZgulgppJc7UoNeUIOV4CKcI3Q","locale":"en-US","buyingOptionType":"USED"}]. 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